Jun
26
Tue
Bruce Hornsby & the Noisemakersw/ Christopher Paul StellingOutdoor Stage
Gate:6:30 pm / Show: 7:30 pm
Buy Tickets
$40 in Advance, $45 Day of Show
$75 Hopster VIP
Treat yourself to: Living Legend of Contemporary Piano

Food Vendor: Mountain View BBQ, Root Down, Grateful Roots, Something Fun Events and Catering
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DETAILS

EVENT SCHEDULE

6:00pm – VIP Early Entry  **Chairs will be provided for all VIP ticket holders for this show only**

6:30pm – General Admission Gates Open

6:30pm – 1st VIP Guided Tour & Tasting (Meet in the VIP Viewing Area)

7:00pm – 2nd VIP Guided Tour & Tasting (Meet in the VIP Viewing Area)

7:30pm – Christopher Paul Stelling

7:30 – 3rd AND FINAL VIP Guided Tour & Tasting (Meet in the VIP Viewing Area)

8:30 – Bruce Hornsby

11:00 – HARD CURFEW

11:05 – Phuncle Sam (Late Night)

BRUCE HORNSBY

Bruce Hornsby has built one of the most diverse, collaborative and adventurous careers in contemporary music. Drawing from a vast wellspring of American musical traditions, the singer/pianist/composer/bandleader has created a large and accomplished body of work and employed a vast array of stylistic approaches. Throughout this period, Hornsby has maintained the integrity, virtuosity and artistic curiosity that have been hallmarks of his work from the start.

Hornsby and his band The Range’s first album The Way It Is(1986) was steadily and slowly building in popularity in the U.S. when in August the title track exploded on BBC Radio One in England, then Europe, the rest of the world and finally in the United States. The record went on to sell three million records, the band played Saturday Night Live and opened for Steve Winwood, John Fogerty, Huey Lewis, the Grateful Dead and the Eurythmics before becoming headliners on their own tour supported by Crowded House.

Soon Hornsby was being approached regularly to collaborate with a broad range of musicians and writers, a demand that continues to this day. He has played on records for Bob Dylan, Robbie Robertson, Bonnie Raitt (piano on her iconic “I Can’t Make You Love Me”), Willie Nelson, Don Henley, Bob Seger, Squeeze, Stevie Nicks, Chaka Khan, Charlie Haden, Jack DeJohnette, Crosby, Stills and Nash, Justin Vernon (of Bon Iver), Leon Russell, Chris Whitley, Warren Zevon, Bernie Taupin, Brandon Flowers (of the Killers), Cowboy Junkies, Shawn Colvin, Bela Fleck, Randy Scruggs, Hillary Scott, the Wild Magnolias, Clint Black, Sara Evans, Clannad and many more. He has worked on his own records with Ornette Coleman, Jerry Garcia, Eric Clapton, Sting, Elton John, Mavis Staples, Phil Collins, Pat Metheny, Branford Marsalis, Wayne Shorter and Justin Vernon, among others. Along with his early collaborator, brother Jonathan Hornsby and latter-day partner Chip deMatteo, Bruce has co-written songs with Robert Hunter (the great Grateful Dead lyricist), Robbie Robertson, Don Henley, Leon Russell, Charlie Haden, Chaka Khan, and Jack DeJohnette. His songs have been recorded by another broad array of artists including Tupac Shakur (his iconic “Changes”), Akon, E-40, Chaka Khan, Don Henley, Leon Russell, Willie Nelson, Mase, Randy Scruggs, and Robbie Robertson.

Over the years Hornsby has successfully ventured into bluegrass, jazz, classical, and even electronica, reflected on acclaimed releases like two projects with Ricky Skaggs- Ricky Skaggs and Bruce Hornsby (2007) and the live Cluck Ol’ Hen(2013), the jazz trio album Camp Meeting (2007) with Jack DeJohnette and Christian McBride, and Solo Concerts (2014), a stylistic merging of traditional American roots music and the dissonance and adventure of modern classical music. This latter-day interest has led to an orchestral project spearheaded by Michael Tilson Thomas featuring this new music; the first performance occurred in January 2015 with Tilson Thomas’ New World Symphony.

His three Grammy wins (along with his ten Grammy losses!) typify the diversity of his career: Best New Artist (1986) as leader of Bruce Hornsby and the Range, Best Bluegrass Recording (1989) for a version of his old Range hit “The Valley Road” that appeared on the Nitty Gritty Dirt Band’s Will The Circle Be Unbroken Volume Two, and a shared award with Branford Marsalis in 1993 for Best Pop Instrumental for “Barcelona Mona”, a song written and performed for the 1992 Olympic Games.

Bruce’s long involvement with the Grateful Dead began when the group asked him to open two shows in Monterey, CA in the spring of 1987. Bruce and the Range continued to open shows for the Dead in 1988, 1989 and 1990, and after the tragic death of Dead keyboardist Brent Mydland the band asked him to play with them. He started winging it with them with no rehearsal for five nights at Madison Square Garden in September 1990,, and played more than 100 shows with them until March 1992. He continued to sit in with the band every year until Jerry Garcia passed away in 1995. He played in the first post-Dead band “The Other Ones” in 1998 (the album “The Strange Remain” chronicles that tour) and 2000. Bruce reunited with the band for the 50th Anniversary Fare Thee Well concerts in June and July 2015 at Levi’s Stadium (Santa Clara,CA) and Soldier Field (Chicago). He appears on seven Grateful Dead records including “Infrared Roses” and “View From The Vault II”.

ARTIST WEBSITE

CHRISTOPHER PAUL STELLING 

“It was like a fever dream. Every day counting blessings for safe passage.” Out there on the road with his battered guitar, playing 260 shows in just the last year and half, across 46 states and 14 countries, acclaimed troubadour Christopher Paul Stelling says he could see it all out there unfolding on the horizon.

Amidst the euphoria of playing in bars, cafes, theaters, festivals, under bridges and in living rooms, were late night conversations with friends, new and old, about the undercurrents of tension and change in their countries and concerns about what was happening back in his own. He witnessed immigrant riots, saw the fires burning.  “Back in places like New York or Los Angeles it was harder to see,” he says,”But go the a Walmart in Oklahoma and tell me this wasn’t coming.”

And so Stelling wrote songs about it all. Darkly beautiful and powerful songs which became the album Itinerant Arias which arrives on May 5th. Months ago, these songs seemed cynical, even paranoid. After all, everything was going to be fine.

“I wrote this album about something that hadn’t happened yet, and now it’s happened,” he says. “I played the songs for people and they said,  ‘That’s not what’s going to happen.’ And I would tell them, it really is. I’m not patting myself on the back about it. But I had been out their traveling the world, seeing it building. When driving by refuge camps and seeing people behind barbed wire fences it breaks you.”

Of the album title, Itinerant Arias, Stelling explains, “these songs have in common no single origin, or sense of place.  like found objects, overheard stories, lost melodies….  with no real home, but from a single voice.”

Stelling has been on the move for years now. Left home early to roam and search. Periods spend in Colorado, Boston, Seattle, New York City and North Carolina, all interspersed with further destinations to play his songs. His debut record Songs of Praise And Scorn was recorded at a functioning Kentucky funeral home. American Songwriter heard it and proclaimed, “this what a real self-contained, modern-day troubadour looks and sounds like.”  Stelling’s 2015 Anti debut was called Labor Against Waste. Big Takeover called him a “punk rock Leadbelly… a dynamo” while NPR Music wrote, “He’s a great finger picker, a strong songwriter, listen to his words – you’ll love what you hear.”

ARTIST WEBSITE 

 

**All sales are final, no refunds available after purchase. Event is rain or shine**

**General Admission tickets are subject to venue Chair Policy. All VIP tickets reserve the option to bring in chairs. Please be kind to others when considering where to place your chair**