Sep
29
Sat
St. Paul & The Broken Boneswith MattielOutdoor Stage
Gate:7:00 pm / Show: 8:00 pm
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$35 in Advance, $40 Day of Show
$70 Hopster VIP
Treat yourself to: Southern Soul Revival
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DETAILS

 

**Every ticket for this show includes a physical CD of St. Paul & The Broken Bones’ forthcoming album. You will receive an email with more details about this offer approximately 7 days after your purchase.**

St. Paul & The Broken Bones

Sea of Noise, the second full-length album by St. Paul and the Broken Bones, marks a quantum leap in sound and style for the high-voltage Birmingham, Alabama-based band. Produced by Paul Butler and recorded at Nashville’s Sound Emporium, the group’s sophomore effort features an expanded eight-piece lineup of the widely praised soulbased rock unit.

Longtime members Paul Janeway (lead vocals), Jesse Phillips (bass, guitar), Browan Lollar (guitars), Andrew Lee (drums), Al Gamble (keyboards), and Allen Branstetter (trumpet) are joined by Jason Mingledorff (saxophone, clarinet, flute), and Chad Fisher (trombone).

The collection of new original songs is the group’s first release on RECORDS, a joint venture of SONGS Publishing, winner of ASCAP’s 2016 independent publisher of the year award, and veteran label executive Barry Weiss. Sea of Noise is a successor to the Broken Bones’ 2013 debut album Half the City, which introduced the group’s blazing mating of ‘60s soul fire – daubed with latter-day influences like Sly Stone, David Bowie, and Prince — to Janeway’s impassioned singing and writing. The new album witnesses a deepening and broadening of the unit’s musical reach and lyrical concerns.

On Sea of Noise, the band’s brawny horn-driven sound is augmented – and displaced — by the use of a string quartet and a vocal choir. The strings – recorded at Memphis’ historic Sam Phillips Recording by engineer Jeff Powell – were arranged by Lester Snell, a veteran of Stax Records sessions by Isaac Hayes, Shirley Brown, Albert King, and the Staple Singers, among many others. Janeway says of Snell, “He did all these classic, great records in Memphis – he did the string arrangements on them. The strings, for us, supply a darker tone. Horns sometimes can’t portray a certain darkness. We thought that would be the best option, instead of horn lines. We have songs on this record that don’t have any horns at all.”

The album’s lyrical and emotional richness is heard loudly in stunning new compositions like “Burning Rome” (which Janeway describes as “a letter to God, if I could write it”) and the startling “I’ll Be Your Woman,” which knocks traditional soul music gender roles on their heads. Janeway says of the latter song, “I wrote that with Jesse, and he said, ‘If I can write that song, I can die a happy man, because I’ve finally made something that I feel can stand up to my standards.’” St. Paul and the Broken Bones, which toured extensively in the U.S. and Europe behind their debut album, will put their take-no-prisoners live show on the road this fall. Their most recent concert work included arena dates opening for the Rolling Stones in Atlanta and Buffalo. Some acts may have been daunted by such a task, but not this one. “It was pretty neat, it was pretty crazy,” Janeway says. “I love the Rolling Stones, but my train of thought it, you gotta try and blow ‘em off the stage. And that’s still my goal.”

ARTIST WEBSITE

Mattiel

It’s a familiar story: fledgling singer does soul-sucking day job in order to fund their real passion during the nocturnal hours. Except Mattiel Brown, Atlanta’s rising star, is a rare exception to this time-honoured tradition: a fulfilled creative by day and night, albeit in different contexts. “It’s like I have two full-time jobs: designer and musician,” she says, humbly hip to her good fortune.

During office hours, Brown works as an ad designer and illustrator at MailChimp, a position she’s enjoyed for four years. “I work with a great video production team, in a great studio. Luckily, they’re a company that encourage side gigs.” Out of office hours, Brown swaps the design studio for the stage, a softly-spoken, chilled-out design nerd turned rock & roll belter, performing bold, vintage soul as Mattiel (pronounced ‘maa-TEEL’).

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**All sales are final, no refunds available after purchase. Event is rain or shine**

**General Admission tickets are subject to venue Chair Policy. All VIP tickets reserve the option to bring in chairs. Please be kind to others when considering where to place your chair**